نوع مقاله: مقاله پژوهشی
نویسندگان
1 دانشجوی دکتری فلسفه هنر دانشگاه آزاد واحد علوم و تحقیقات ،تهران ،ایران
2 عضو هیئت علمی دانشکده الهیات و فلسفه دانشگاه آزاد اسلامی واحد علوم و تحقیقات،تهران،ایران
چکیده
عنوان مقاله [English]
نویسندگان [English]
Arendt can be thought of as a constant effort to rebuild the theoretical field of political
thought. His new meaning in this field, though his result is in Greek sources, contains
new implications. Arendt's attempt to formulate an anti-humanist meaning for freedom
and to obscure this term, on the one hand, and his emphasis on the transnational bond
between plurality and freedom, on the other hand, are the most important of these new
dimensions. But the latest missed point in his vote is his view of art as a realm that
guarantees the realization of pluralism and political life in the same way. Since Arendt
has never done a work exclusively in the field of aesthetics and art, this article
examines and finally elaborates on how the theoretical development of the aesthetic
field to Arendt's political philosophy is examined in the course of his numerous and
varied works.
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